Inside a Bridal fashion Show: Ana Quasoar 2015

For the launch of the fashion week haute couture in Paris,  DLG Paris has been invited by the very talented Ana quasoar to her couture show at Hotel Saint James Albany Paris closed by the famous Hotel Meurice

The Ana quasoar bride is confident. She perfectly combines elegance and femininity; the two characteristics of the Parisian girl

Take a look at our photo report below and enjoy the ride

Begining of the Show: 7:30pm

What a pleasure to see Paris by night !!






20150121_194159Image111 Image112

Image116 Image117


20150121_195446 IMG_7750 20150121_195449Ana Quasoar and me !


Bride-to-be contact us to get an appointment with the wedding styling team of DLG Paris. Our team of personal shopper and stylist is there to support you and help you find the perfect and unique outfits appropriate for your wedding.

We organize all your appointments and accompany you in the selection of outfits, the fittings, hair and makeup stylism, and accessories to choose a unique style that suits you.

Everything will be worked in a vision by a professional taking care of each Detail.

We would love to hear about your styling plans and how we may be able to assist; contact us at the following address: contact@dlgpariswedding

Classé dans:Fashion Inspiration Tagged: ana quasoar, brdial fashion show in paris, defile robe de mariee, DLG Paris Wedding, dlg paris wedding europe, europe wedding ideas, european bridal gown, european bridal makeup, european bride, european wedding, european wedding destinations, european wedding dresses, eurpean dress wedding, paris wedding, wedding abroad, wedding in france, wedding in paris, wedding planner paris

A Step Inside the Studio of Vodou Priest and Artist Jean Baptiste Jean Joseph

Kay koule tronpe soley, men li pa tronpe lapli Haitian proverb meaning A leaky house can fool the sun but it cant fool the rain. 

No visit to Croix-des-Bouquets is complete without a stop at the studio of world-famous vodou artist and priest, Jean Baptiste Jean Joseph. Jean Baptistes Isidor Gallery has been receiving customers from all over the world for years and some of his most impressive pieces sell for thousands of dollars. Yet despite his fame and notoriety, like many of the other highly successful artists of Croix-des-Bouquets Jean Baptiste has decided to stay in Haiti and continue his work and mentorship to other aspiring artists. This is what makes Croix-des-Bouquets so special.

Stepping into the Isidor Gallery feels like stepping into a dream. The scent of incense flavors the air and the walls are filled with a riot of colorful, imaginative vodou flags intricately designed and handcrafted. The lights are low or even off, and the hot, humid heat of Haiti adds to a slightly dizzying effect. To be inside Jean Baptistes studio and to see his work, gives one a true sense of Haitis rich, intricate culture and religion. It feels like magic.

Croix-des-Bouquet Haiti

Jean Baptiste Jean Jospeph, Isador Gallery, Haiti

Jean Baptiste Jean Joseph was born in 1967 in La Vallé Bainet and was raised in Croix-des-Bouquets, a community known for its metal artisans in Port-au-Prince, Haiti. At a young age Jean Baptiste became passionate for folk art and textiles. Following his dream and passion for beadwork, he worked in a small factory where he honed his skills by sewing pearls and beads onto wedding dresses. Then in 1991, thanks to the receipt of a small loan from a friend, Jean Baptiste opened Isidor Gallery in Croix-des-Bouquets.

Fast forward two decades, and Jean Baptistes beadwork is world renown. Besides his famous vodou flags, Jean Baptiste and his fellow artisans make purses, bags, vodou dolls, and various other handicrafts. Like his fellow master artisans in Croix-des-Bouquets, Jean Baptiste has been instrumental in training new artisans in his field, helping the community prosper and ensuring this beautiful form of art does not die out.

Each flag is intricately beaded by hand and displays some of Haitis most mystical symbols from vodou. Even the name of his gallery, Isidor Gallery, is named after a famous vodou figure Saint Isidor –  – who was a farm laborer like his father.

Jean Baptiste Jean Jospeph, Isador Gallery, Haiti

Isidor Gallery Haiti


Jean Baptiste Jean Jospeph, Isador Gallery, Haiti

Some of Jean Baptistes pieces go for thousands of dollars to wealthy tourists and art collectors who come specifically to Haiti to buy his art. Thankfully, his fame and fortune has  brought attention to Haitis artisans and has helped his community thrive.


Vodou flags have a long history in Haitian vodou culture. Traditionally, vodou flags were used to decorate the site where a ceremony was taking place or were worn on the backs of participants in a vodou dance. Today, these amazing pieces of art are being used as decoration and are displayed on peoples walls. One flag can take anywhere from 2-6 weeks to make and Jean Baptiste is a leader in innovative designs.

P1070033-17 P1070036-19Jean Baptiste Jean Jospeph, Isador Gallery, Haiti

Jean Baptiste Jean Jospeph, Isador Gallery, HaitiOn a table inside his studio is row after row of beautiful one of a kind hand-beaded wallets.Jean Baptiste Jean Jospeph, Isador Gallery, HaitiJean Baptiste Jean Jospeph, Isador Gallery, Haiti

Alongside art, Jean Baptiste is also a highly esteemed vodou priest. He was identified as a priest back in 1991 and has been conducting ceremonies ever since. While there is no definite number, the Haitian government estimates that there are about 3,000 vodou priests in the country. The real number is difficult to ascertain however given the high amount of imposters as well as the unending taboo in discussing vodou. While the strength of Catholicism is always present in Haiti, vodou often still remains behind closed doors despite being recognized as an official religion in 1991. (Catholicism has been an official religion since Haitis independence).

P1070039-22 P1070041-23Thanks to pop culture, there is a tremendous amount of misunderstanding about the meaning and practice of vodou. The word vodou itself often invites images of vodou priests sticking pins into a vodou dolls to bring misfortunate upon an unknowing enemy or of someone cross-eyed, completely taken over by powerful spirits.While there may be a tiny slice of truth in this perception, vodou is actually a rather complex belief system and has been practiced in Haiti ever since the 18th century when West African slaves were forced under French rule to convert to Christianity. Instead of fully embracing Christianity, however, they learned to incorporate their own religious beliefs into the religion by assigning each Iwa (vodou spirit) to a Catholic counterpart. For example, the Iwa called Legba is associated with St. Peter. Assigning Iwas with Catholic saints was a way for the West African slaves to secretly continue to practice their own religion in disguise. A pretty amazing feat! Iwas also have a distinct list of recognizable symbols, offerings, attributes, homes, and colors. If you ever attend a vodou ceremony, see vodou-inspired art or visit a Haitians home, you will certainly see these attributes all around you. You just have to look. You will be surprised how often you will see it.Outside of the gallery is the home of Jean Baptistes vodou altar. A small fire was burning infiltrating the air with a light covering of smoke and giving the place a mystical feel.

Jean Baptiste Jean Jospeph, Isador Gallery, Haiti

Jean Baptiste Jean Jospeph, Isador Gallery, Haiti

Jean Baptiste showed us his altar and told us a little bit about what each symbol was for. On his altar, there are different symbols and offerings for the different deities he calls when needed. Some prefer rum, while others prefer coffee or a specific food. People come to him seeking protection, communication with their ancestors, prosperity, recovery from an illness or to ward off bad omens with enemies. The list is endless yet each vodou ceremony is private. One never knows what is discussed except the attendee and the priest.

Click to view slideshow.

Two years ago, when I was in Haiti I received this purse a beautiful unique piece made and blessed by Jean Baptiste during a short vodou ceremony. I have kept it in the drawer by the side of my bed ever since alongside my other special gifts. Little did I know Id be going back once again.


Although it was only a small look into Haitian voodoo culture and life, I am glad I received it. It is these magical moments when traveling that make it so memorable.

I traveled to Haiti with my dear friend Haitian-American Nathalie (Nat) Tancrede. Passionate to show the true beauty and magic of Haiti, Nat launched her new travel business “Explore with Nat”. Nat provides a fully guided week-long trip exploring different regions of Haiti and embracing Haiti’s culture, history and people every step of the way. To learn more about Nat and her upcoming trips check out her website Explore with Nat. You can also follow her on Facebook and Instagram. 







The ‘Tinker-Bell’ Framework: The Fifth Circuit Places Facebook inside the Schoolhouse Gate in Bell v. Itawamba County School Board

Christopher Edmunds

The ‘Tinker-Bell’ Framework: The Fifth Circuit Places Facebook inside the Schoolhouse Gate in Bell v. Itawamba County School BoardAbstractTaylor Bell, a senior at Itawamba Agricultural High School in Mississippi, posted on his personal Facebook page a rap song he composed and recorded away from school. The main thrust of the lyrics depicted a pattern of sexual harassment of female students by two of the schools coaches. Word of the song soon spread to the schools administrators, and the Itawamba County School Board (Board) informed Bell that because the song allegedly contained threats to specific coaches at the school, he would be suspended pending a disciplinary hearing.

At the hearing, the disciplinary committee mostly ignored the songs underlying allegations, instead focusing on whether some of the lyrics violated school policy by containing “threatening, harassing, and intimidating” language directed at students or teachers. Specifically, the committee expressed concern about one line of the song, which reads “youve fed with the wrong one / going to get a pistol down your mouth,” asserting that the lyrics were “threats to a teacher.” Bell denied that he was making threats, contending that the lyrics “reflect the possibility that a parent or relative of one of the female students might eventually react violently upon learning that the coaches were harassing their children.” Although the disciplinary committee found that the issue of whether or not the lyrics constituted threats was “vague,” the Board unanimously decided that Bell had violated school policy and decided to place him in alternative school for the remainder of the grading period.

Bell filed an action in the United States District Court for the Northern District of Mississippi, seeking to enjoin the suspension as a violation of his First Amendment rights. The district court granted the Boards motion for summary judgment, and Bell appealed. The United States Court of Appeals for the Fifth Circuit, sitting en banc, held that under United States Supreme Court and Fifth Circuit precedent, the school had the right to suspend Bell under the circumstances, affirming the district courts grant of summary judgment. Bell v. Itawamba County School Board, 799 F.3d 379 (5th Cir. 2015) (en banc).